Here are more snippets from the book How I Write.
Alain de Botton: relies on a large desk (five meters long) on which to place books, articles, whatever, to anchor him down to work.
Luis J. Rodriquez: has a statue of the Hindu Lord of success--Ganesha--on his desk. It reminds him of the spiritual nature of his work.
Gina Ochsner: has a picture she got in Prague of a musician playing a violin. She looks at it every morning to remind her of the kind of writer she wants to be--one in tune with something larger than herself.
Melissa Bank: writing originates in her subconscious mind. She doesn't control the process. She lets it arise from within.
David Baddiel: has a signed photograph of Simon Wiesenthal on one wall beside his desk and a montage of the Simpsons cartoons on the opposite wall, reminding him of the full range of his work.
Anthony Bourdain: can write only while continuously smoking cigarettes. Smoking aids his concentration.
Discussions about creativity, growing old, growing young, self-publishing, freedom, the craft of writing, art, and many other topics. Part confessional, part thinking out loud, I write what interests me at the moment. BTW, I write my books under the pen name R. Patrick Hughes.
Showing posts with label Dan Crowe. Show all posts
Showing posts with label Dan Crowe. Show all posts
Tuesday, December 18, 2012
Wednesday, December 12, 2012
"How I Write, The Secret Lives of Authors" edited by Dan Crowe
I've been reading snippets from How I Write, trying to glean any pearls of wisdom that might lie therein. Some of the offerings do tell us something about how these writers write. I'll briefly summarize some of them.
Jonathan Franzen: he's hoarse at the end of the day from reading his dialogue out loud.
Will Self: puts millions of post-it notes on his walls with random bits of dialogue, scenes, ideas for stories, etc., etc. Then they get organized into notebooks, then into books. Sounds pretty organic, doesn't it?
Benjamin Markovits: relies on a warm cup of tea to keep him occupied while staring at the blank screen.
Tom Robbins: keeps a poster on his wall with two sayings, one by Stanley Elkin reminding him to go as far out, to be as original, as he can be; the second saying is from Nelson Algren that decries, apparently, those who plan out their work (plotter) before doing the writing.
Janine Di Giovanni (a journalist): you have to be there to get the story. You have to take chances.
Eric Chase Anderson: has a cork board on his wall with pictures of famous writers; also, photos of actors he used as models for his characters.
There are many others. I'll share them with you as time goes along.
Jonathan Franzen: he's hoarse at the end of the day from reading his dialogue out loud.
Will Self: puts millions of post-it notes on his walls with random bits of dialogue, scenes, ideas for stories, etc., etc. Then they get organized into notebooks, then into books. Sounds pretty organic, doesn't it?
Benjamin Markovits: relies on a warm cup of tea to keep him occupied while staring at the blank screen.
Tom Robbins: keeps a poster on his wall with two sayings, one by Stanley Elkin reminding him to go as far out, to be as original, as he can be; the second saying is from Nelson Algren that decries, apparently, those who plan out their work (plotter) before doing the writing.
Janine Di Giovanni (a journalist): you have to be there to get the story. You have to take chances.
Eric Chase Anderson: has a cork board on his wall with pictures of famous writers; also, photos of actors he used as models for his characters.
There are many others. I'll share them with you as time goes along.
Subscribe to:
Posts (Atom)