street scene, acrylic on paper, approximately 7.5 x 10 |
The sky was deep dark-blue originally, with huge white clouds. The contrast between the blue sky and the white clouds was too much and distracted from the focal point of the painting, which is the red steeple, so I changed it to a lighter blue and got rid of most of the clouds. The two clouds that are left help draw the eye to the steeple, although I could have done that better, but I did not want to risk having to repaint the steeple.
This is a scene from downtown Jacksonville, Florida, and I worked from a reference photo I took. It's actually cropped from a much larger photograph. One of the things I learned was to eliminate a lot of details. There were quite a few more trees and lamp posts, and there was another car. The lamp posts are black in real life, but black posts would not have worked in this photo, so I dulled them down to gray. The cars and their shadows were the last things I painted. I've never painted cars before. I did many drawings of cars in my sketch books, trying to get them to look like cars and have the correct perspective. That was probably the most challenging part for me.
The bright spot in the upper left hand corner of the sky is from my camera's flash and is not part of the painting, but I wish it were. It's beautiful. I don't think I could have painted that.
One of the things I was thrilled with, but I doubt you can see it in this photo, even if you enlarge it, is the bark of the tree on the right. It's a blend of burnt umber, raw sienna, and maybe another color. It is beautiful to me. I think it's the best tree trunk I've ever painted.
It's not a perfect painting by any means. The shift from the dark blue sky to the lighter blue sky is too distinct, although it's less noticeable in the painting. Photos pick up every detail. Imperfect as it is, I've decided to let it stand as is, because I find it acceptable.
Well, there's more to tell, but I've said enough. It's on to the next painting--soon, anyway.
9 comments:
Hi Richard,
I can tell you are very enthusiastic about your art and its giving you pleasure too. I've not painted since I was in primary school, a long long time ago.
I like the way you've explained how you created the work, and where the idea came from, and I hope to come back and see more of your paintings soon.
Thank you, Maria
What a beautiful painting, Richard! You've really progressed as an artist. LIke Maria, I like the way you explained your approavh to the painting. Don't stop. Pretty soon we'll be reading about an exhibition of your art.
Thanks, Elizabeth, but I've got a lot to learn yet.
Nice. So my question is, when you paint from an image, do you see what you want the painting to look like in your mind and try to get it close, or just go with and surprise yourself with how you interpret it? This is very good.
Thanks, Tanya, no, unfortunately, I don't see the picture in my mind. Some artists do, but I don't, not yet. But the reference photo is a starting point from which I decide what colors to use and what to leave in and leave out, and, maybe, add something to. I just go with the feelings I have and what looks right to me.
I like, in my dreams I can paint in real life not so much
Jo-Anne, you can learn to paint if you want to.
I love this painting! The colors you chose definitely give it a cool relaxed feeling.
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