Writing and Living by Richard P. Hughes
Discussions about creativity, drugs, compulsions, depression, obsessions, OCD, parenting, self-publishing, freedom, writers, the craft of writing, the internet, photography, mind mapping and many more topics. BTW, I write my books under the penname R. Patrick Hughes.
Friday, June 14, 2013
Herbivore, Mon Amour
I've chosen the title for my painting (help-me-name-my-painting). I like all the suggestions. Herbivore by itself didn't work for me, but with the add on it did; I like the rhyme and the "meaning". Thank you all for your suggestions. I think I'll seek your help in the future.
Thursday, June 13, 2013
Help me name my painting.
I finished this the other day. I thought of calling it Self-Portrait as a Bug, but I don't have red eyes. I'd love to hear suggestions for a title from you. Please put your title in the comments.
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| Oil Pastel on paper, approx 7.5 x 10.5 inches. |
Wednesday, June 12, 2013
Every Sunset Is Also A Sunrise
I was reading Julia Hones' blog post this morning (Everness) when this thought occurred to me. I do not believe I've ever heard it before, although someone has probably already said it. "Every person's sunset is another person's sunrise." Maybe that's what Jorge Luis Borges is saying.
Tuesday, June 11, 2013
Is It Time to Call it Quits?
Back in 2011 I wrote this blog post (read it if you wish) about losing my muse. Until I lost my muse, writing was so automatic, so real, the words and scenes and dialogue so vivid, that writing was really very easy for me. Then I lost my muse, and it's never returned. This loss happened just a month or two before I retired from the world of work. The loss of my muse was a terrible loss. Before very long it became apparent that it wasn't coming back, and it hasn't.
Despite that, writing was all I knew. It was still my dream, and I had (still have) much unfinished/unpolished material to work on. For the past three years I've been living off that surplus; yes, I've been living off the past. My short story collection The Gunman in Black was the first original fiction I'd written in three years. I've also written three more stories yet to be published. This appears to have been a temporary burst of creativity, because I've been unable to write anything new since February. In fact, I've been unable to write anything except a few blog posts and entries in my journal . As far as fiction goes, my mind seems to have become completely blank. I fear that my ability to write fiction has died.
The question has been floating around in my mind for a while now. Is it time to call it quits? The thought of trying to write a novel, to spend months and months, possible years, on it, struggling with every sentence, every scene, with all the complexities of creating a novel, seems an impossible task now. Lately, I haven't been able to even grasp the possibility of doing so. It just seems too difficult now. So, is it time to call it quits as a writer?
The desire to write still comes and goes. But it doesn't lead to action. So, I've been trying to accept the reality of my situation. Maybe it is time to call it quits.
Despite that, writing was all I knew. It was still my dream, and I had (still have) much unfinished/unpolished material to work on. For the past three years I've been living off that surplus; yes, I've been living off the past. My short story collection The Gunman in Black was the first original fiction I'd written in three years. I've also written three more stories yet to be published. This appears to have been a temporary burst of creativity, because I've been unable to write anything new since February. In fact, I've been unable to write anything except a few blog posts and entries in my journal . As far as fiction goes, my mind seems to have become completely blank. I fear that my ability to write fiction has died.
The question has been floating around in my mind for a while now. Is it time to call it quits? The thought of trying to write a novel, to spend months and months, possible years, on it, struggling with every sentence, every scene, with all the complexities of creating a novel, seems an impossible task now. Lately, I haven't been able to even grasp the possibility of doing so. It just seems too difficult now. So, is it time to call it quits as a writer?
The desire to write still comes and goes. But it doesn't lead to action. So, I've been trying to accept the reality of my situation. Maybe it is time to call it quits.
Friday, June 7, 2013
A Portrait of the Artist as a Novice Artist
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| Blind Contour Self-Portrait (pen and ink) |
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| Wine Bottles and Mask (charcoal and conte) |
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| Father and Child (soft pastels) |
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| Street in France, or someplace in Europe (soft pastels) |
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| Desert Moon (oil pastels) |
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| The Studio (pastel and conte) |
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| Mask (oil pastel) Hope you enjoyed a few of my paintings and drawings. |
Friday, May 31, 2013
Painting is amazing.
As some know, I took two drawing courses this past school year at the U of North Florida. (We senior citizens don't have to pay tuition, just parking, supplies, and lab fees.) I completed Drawing I and Drawing II.
Now this is very basic drawing, drawing what you see, perspective, value, line. Almost all the work was done in graphite or charcoal. We also worked a little with black and white conte.
My first course was a real eye opener about drawing. I didn't feel that I was very good. But I learned a lot. That course was pen and ink, then graphite, and some color pencil. I learned about such things as contour drawing and blind contour drawing and one-point and two-point perspective.
My second course concentrated on value using charcoal. I did not enjoy working in charcoal until near the end of the course, when it finally dawned on me the value of working in charcoal, learning to recognize value. Then I began to enjoy using charcoal. I've used it a little since the second course ended.
In both courses, we had to produce a portfolio at the end of the course. This was a valuable experience. Showing a range of work, and seeing how your work looks, and receiving criticism from your classmates and instructor, is critically important. It was not something I expected to have to do when I signed up for the first course. It was an exciting experience. As an artist, you must be able to take criticism. It's a great way to learn.
Some of the students were amazing artists, although every single picture by every single artist had something that could be improved. And we all knew it.
Here's the thing. I enjoy drawing much more than I thought I would. I can stand in front of my easel for hours. I've been working mostly in pastels. I'm particularly drawn to oil pastels at the moment. I'm working with still lives and abstracts. I have so much to learn. I've barely scratched the surface. I can't wait to take more courses.
Now this is very basic drawing, drawing what you see, perspective, value, line. Almost all the work was done in graphite or charcoal. We also worked a little with black and white conte.
My first course was a real eye opener about drawing. I didn't feel that I was very good. But I learned a lot. That course was pen and ink, then graphite, and some color pencil. I learned about such things as contour drawing and blind contour drawing and one-point and two-point perspective.
My second course concentrated on value using charcoal. I did not enjoy working in charcoal until near the end of the course, when it finally dawned on me the value of working in charcoal, learning to recognize value. Then I began to enjoy using charcoal. I've used it a little since the second course ended.
In both courses, we had to produce a portfolio at the end of the course. This was a valuable experience. Showing a range of work, and seeing how your work looks, and receiving criticism from your classmates and instructor, is critically important. It was not something I expected to have to do when I signed up for the first course. It was an exciting experience. As an artist, you must be able to take criticism. It's a great way to learn.
Some of the students were amazing artists, although every single picture by every single artist had something that could be improved. And we all knew it.
Here's the thing. I enjoy drawing much more than I thought I would. I can stand in front of my easel for hours. I've been working mostly in pastels. I'm particularly drawn to oil pastels at the moment. I'm working with still lives and abstracts. I have so much to learn. I've barely scratched the surface. I can't wait to take more courses.
Tuesday, May 28, 2013
Before Sunrise, or pride preceedith a fall
[movie review: Before Sunrise]
For me to review a movie, it must have something special about it. It's not just entertaining. It must have a thematic element that goes beyond mere plot and entertainment. Now, it doesn't have to be deep. It doesn't have to be astoundingly brilliant. I really don't expect those elements from a movie. But it needs to have a subtext that I find intriguing. Before Sunrise has that element, and it's an interesting one, one that goes beyond those of most movies.
The concept is intriguing. Boy, who is on his last day in Europe, meets girl. They fall in love...or do they? He asks her to spend the rest of the day with him. Their love grows...or does it? At sunrise, he must go back to the states. What will happen? This is not a trivial matter? Well, I won't spoil the movie for you. But, the subtext, the struggle for the truth about love...well, I won't spoil it for you.
Now this is a movie for fan fiction. I'm telling you, Before Sunrise begs for fan fiction. Maybe I'll give it a try.
For me to review a movie, it must have something special about it. It's not just entertaining. It must have a thematic element that goes beyond mere plot and entertainment. Now, it doesn't have to be deep. It doesn't have to be astoundingly brilliant. I really don't expect those elements from a movie. But it needs to have a subtext that I find intriguing. Before Sunrise has that element, and it's an interesting one, one that goes beyond those of most movies.
The concept is intriguing. Boy, who is on his last day in Europe, meets girl. They fall in love...or do they? He asks her to spend the rest of the day with him. Their love grows...or does it? At sunrise, he must go back to the states. What will happen? This is not a trivial matter? Well, I won't spoil the movie for you. But, the subtext, the struggle for the truth about love...well, I won't spoil it for you.
Now this is a movie for fan fiction. I'm telling you, Before Sunrise begs for fan fiction. Maybe I'll give it a try.
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